The church cultivates believing souls by answering compelling questions, while the artist cultivates seeing souls by raising compelling images. Is there a conflict - an identity - in the believing artist's dual relationship with the Kingdom and the "world?" How can she be true to her work and be true to the community of faith?
Beaubeaux, Carmen, "The Artist as Priest and Prophet - Conflict: Building Altars in a Divided Kingdom" (2002). Lectureship and Summit Audio Collection. 2171.
Creative Commons License
This work is licensed under a Creative Commons Attribution 4.0 License.